Learn by Shooting
Guided photo lessons — learn a concept, pass a quick check, then go shoot it and share your find with the community.
Section 1 · 0/11
Composition
How you arrange what’s in the frame.
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Rule of thirds
Place your main subject on one of the four third-line intersections, off-center.
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Leading lines
Find a road, fence, railing or shadow that leads the eye toward your subject.
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Frame within a frame
Shoot through a doorway, window, arch or branches to frame your subject.
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Symmetry
Capture a perfectly mirrored scene — architecture, reflections or a face.
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Fill the frame
Get close enough that your subject touches all four edges — no empty space.
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Negative space
Make a small subject sit in a large area of empty, simple space.
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Rule of odds
Compose a group of exactly 3 (or 5) objects instead of 2 or 4.
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Diagonals
Build a shot where the strongest line runs corner to corner.
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Find a pattern
Find repeating shapes — tiles, windows, stairs — and fill the frame with them.
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Break the pattern
Photograph a pattern with a single element that breaks it.
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Reflections
Use a puddle, window, mirror or still water to show your subject reflected.
Section 2 · 0/7
Light
Shaping a shot with light & shadow.
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Golden hour
Shoot one photo during golden hour and let the warm light carry it.
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Backlighting
Put the light source behind your subject for a glow or halo of light.
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Window light
Shoot a portrait or object lit only by light from a window.
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Hard light
Use harsh, direct sun to create strong, graphic shadows.
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Soft light
Shoot in open shade or on a cloudy day for soft, even light.
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Shadow as subject
Make a shadow the subject of the photo, not the object casting it.
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Silhouette
Shoot a subject as a dark silhouette against a bright background.
Section 3 · 0/11
Camera Settings
Aperture, shutter, ISO & exposure.
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Exposure basics
Make one photo where the subject is bright enough without blowing out the brightest area.
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Exposure compensation
Shoot the same scene three ways: normal, darker and brighter.
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Shutter: freeze motion
Freeze something moving — a jump, splash, pet or passing car.
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Shutter: motion blur
Blur something moving on purpose — traffic, water or a person.
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Aperture: shallow depth
Throw the background out of focus so the subject is the only sharp thing.
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Aperture: deep depth
Make a landscape or scene sharp from the foreground all the way back.
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ISO
Photograph a dim scene with the lowest ISO that still gives you a usable shutter speed.
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White balance
Shoot one scene with neutral whites, then make a second version intentionally warmer or cooler.
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Focus point
Choose one precise focus point and make everything else secondary.
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Focal length
Photograph the same subject wide and tight from different distances.
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Manual mode
Recreate the same brightness with two different aperture, shutter and ISO combinations.
Section 4 · 0/12
Color
Training your eye to see color.
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Hunt for red
Find and photograph the boldest red you can — rust, neon, petals, paint.
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Hunt for blue
Hunt down deep blues — skies, water, doors, shadows after sunset.
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Hunt for green
Find every shade of green you can — mossy, leafy, emerald.
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Hunt for yellow
Find the brightest yellow — taxis, walls, flowers, signage.
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Hunt for orange
Chase warm orange tones — fruit, paint, signage, sunsets.
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Hunt for purple
Find purple wherever it hides — lavender, neon, dusk skies.
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Hunt for pink
Go all in on pink — blossoms, neon, pastel walls.
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Hunt for teal
Find cool teal & turquoise — pools, tiles, tropical water.
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Complementary colors
Capture two opposite colors together in one frame.
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Monochrome scene
Make a photo where almost everything is the same color.
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Pop of color
Find one bright color standing out against a neutral background.
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Black & white
Shoot a scene that works because color is removed.
Section 5 · 0/5
Perspective
Changing where you shoot from.
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Worm’s-eye view
Get down to the ground and shoot looking up at your subject.
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Bird’s-eye view
Shoot straight down on your subject — a flat-lay, food or your feet.
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Eye level
Shoot exactly at your subject’s eye level — including pets and kids.
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Dutch angle
Tilt the camera so the horizon runs at a clear diagonal.
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Near & far
Shoot the same subject twice: one wide shot and one tight detail.
More lessons coming soon
New guided photo lessons are on the way.